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Third Friday: 11.17.17

11/17/2017

1 Comment

 
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Third
adjective  \ ˈthərd \

1a :being next after the second in place or time 

b :ranking next after the second of a grade or degree in authority or precedence 

2a :being one of three equal parts into which something is divisible 

b :being the last in each group of three in a series 

Friday
noun  Fri·day  \ ˈfrī-(ˌ)dā , -dē \

The day after Thursday and the day before Saturday. It is the fifth day of the week.

Third Friday
\ ˈthərd \ ˈfrī-(ˌ)dā , -dē \

An act of subversion.


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Rachael Bridge


Rick Andriola


Clinton Neuhaus


Gus Romero IV


Jim Mazzocco


Steven Johnson Leyba

Best offer please contact artist  leybaart@gmail.com

Steven Lee Matz

Assimilated Prophet
Narrated by Marshall Applewhite


Sierra Matz


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1 Comment

November Spotlight - Dusty Ray

11/1/2017

2 Comments

 
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Our Spotlight artist for the month of November is an artist whose real preoccupation is the darker mysteries of life, border lining on the spiritual, yet mystic he is not. He is a philosopher whose dialectic is the flesh of his subjects; his discourse is the vivisection of said flesh and its restructuring. This is the cut-up technique taken to the extreme, and within the world he creates within the parameters of his canvas one is forced to confront the beauty and vulnerability of not just flesh, but meat; those loose shiny sinews, and dark, wet cavities. In doing so he also forces our eyes to turn towards the beauty and vulnerability of our own fleshy vessels, and it is within the act of making us look inward that he draws us into confronting the existential horror of our own existence. There is no reprieve from such horror, only moments of respite. But perhaps Lovecraft summed up this month’s Spotlight best when he wrote “Only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.”  This month we are proud to present for your enjoyment and edification the art of our November Spotlight: Dusty Ray.
​Art is a catharsis for me. I try to portray the rudely animalistic, the meaty red stuff on the inside as a representation of the animal exterior. I want to distort and slice familiar beings into horridly disfigured presentations whose distortion and violence create a sort of empathy.
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Dusty Ray

​I've wandered through life reading, writing, drawing, and playing music...soaking in anything weird/strange/unsettling...smiling and screaming, always wanting to make stuff.  Art is a catharsis for me. I try to portray the rudely animalistic, the meaty red stuff on the inside as a representation of the animal exterior. I want to distort and slice familiar beings into horridly disfigured presentations whose distortion and violence create a sort of empathy. This does not mean that I only paint animals, I try to keep a healthy variation between my pieces, trying new techniques with each series while keeping subtle themes throughout my work.  I mainly paint with gouache but have recently begun to use oils, two mediums that vary vastly in technique but which also feel very similar to me.  
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See more of Dusty's work at
www.etsy.com/shop/DustyRayPaints
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@sloppjockey_ert
2 Comments
    A great specter is looming over the art world: the specter of Inter|Sekt. For far too long we have watched the artists of our generation turned into a disposable commodity, bought and sold by the galleries, stifled in their expression by the tastes of the art consultants who purchase pieces on behalf of financially minded clients who want a "solid investment".
    They have been amalgamated into schools, said schools are a device of gallerists and art historians to divide and conquer the creatives and free thinkers.
    For we live in a nation which thinks itself to be free yet is not, they expect the same of their artists.
    Our culture has been raped and plundered by the upper echelon, picked apart and sold by the same greed mongers who claim to be it's patrons. The tool which has most effectively stunted the growth of modern American art in particular is the clever indoctrination of this idea of schools  to not only the art student but anyone whom even reads a brief survey of the history of art sees that it is broken up into these categorized schools; the philosophies of these various sects creates conflict, division, and ultimately destruction of the morale and submission to the established order. Thus rendering the creative spirit confused and useless.
    This helps curb the rebellious spirit of the average citizen outside of the art world in other spheres of society.
    Art history  is a lie and galleries are dens of thieves!
    Inter|Sekt is not destroying the schools or the galleries, we are simply showing you they were never real, at least not in a world outside of that constructed by academics to sell text books to art students.
    The reign of the gallerists and art consultants is over when you want it to be.
    From the ashes of the indoctrinated schools of every form of art shall arise The New World Creative.
    -Steven Lee Matz-

    The inter|sekt manifesto

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